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A follow up to my film has been published online as a photo essay by Whisk(e)y Tit Journal.
FULL TRANSLATION
“… eighteen extraordinary and exciting minutes. Rarely has found footage revealed so many intimate issues.” - Thierry Méranger, Cahiers Du Cinéma
PRINTED ARTICLE
“The Marina Experiment raises many complex issues, not least the sensitivity and controversy of using children in art. It is a brilliant piece of filmmaking from somebody who had absolutely no knowledge of how to do it: ‘I did it instinctively,’ Lutz says.” - Louise Carpenter, Observer Magazine, Guardian.co.uk
“… disturbing echoes of “Capturing the Friedman’s” and Michael Powell’s “Peeping Tom.” - Glenn Lovell, Film Critic/Author cinemadope.com
“… a chilling document of psychological abuse and fractured survival.” - John Ginn, daVinci Film Festival
“... brilliantly intense and the message is penetrating.”
Carol Mandel, Dean of the NYU Libraries
“Powerful in it's simplicity.” - James Vincent Colbert, Screenwriter
“Your film is astonishing. I love it, really sad, witty and poignant. Has moments where I felt like I was being indoctrinated.”
- Jane Pollard, iainandjane.com
“… controversial and overwhelmingly powerful ... it brought tears to my eyes.” - Paul Hawkins & Dug Degnin
“… eerie and infinitely fascinating … intelligent and absolutely unique…” - Mads Mikkelsen, CPH:DOX
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May 2018
The Marina Experiment screened at the Instituto Moreira Salles in São Paulo and Rio, BRAZIL as part of a short film program curated by the wonderful filmmaker Sergio Oksman
Instituto Moreira Salleshas cultural centers are in three Brazilian cities – Poços de Caldas, in the southeast of the state of Minas Gerais, where the Instituto was born 20 years ago; Rio de Janeiro; and São Paulo. It is renowned for its exhibitions, highlighting visual arts by artists from Brazil and abroad.
Gathering, organizing, and disseminating knowledge since its foundation, the IMS now also hopes that its collections may be used to produce knowledge. To this end, it has sought to establish partnerships and exchange programs with universities in Brazil and abroad, as well as other museums. Research is the target from here on out.
Screening Details:
O experimento Marina
O pai de Marina se comunicava com ela unicamente a partir de câmeras e gravadores. 12 anos após a morte de seu pai, a diretora passa a catalogar as milhares de fotografias, filmes e gravações sobre sua infância nos anos 1960 e 1970.
IMS Rio
May 6th – Sunday – 18h
May 9th – Wednesday – 18:10
IMS Paulista
May 4th – Friday – 21:30
May 12th – Saturday – 19:00
Instituto Moreira Salles
Avenida Paulista, 2424
São Paulo, BRAZIL
Rua Marquês de São Vicente, 476, Gávea
Rio de Janeiro, BRAZIL
I did an interview for Wisconsin Public Radio / To The Best of Our Knowledge, in 2012. They are re-aring my interview this weekend in a new show called “Who’s Watching Us - When Family Photos go too Far” and I am currently featured as the first item on their homepage
Who’s Watching Us?
When Family Photos Go Too Far
Their podcasts air on stations across the country via NPR and other public radio programming. All stations can be found here by entering your state:
Link to my interview:
Above is a link to my original interview, September 9, 2012, for Wisconsin Public Radio's nationally-syndicated, Peabody Award-winning program, “To The Best of Our Knowledge." The theme of this particular show was "Privacy." Producer Doug Gordon created an astonishingly moving nine minute expose. Please read the comments. At every Q&A I've ever done, there is a man who comes to the defense of my father, like he feels he has to defend the entire male population for their behavior. I am grateful that all of this is now being discussed in the #metoo conversation. And I thank the clinical director of a child advocacy center who comes to my defense in the comments.
23 – 29 OCTOBER 2017
The Marina Experiment screened here as part of a special focus called SCIENCE FRICTION, dealing with the impact of science and research.
Forum des Images
2010
Paris, FRANCE
Cinéma La Clef
34 rue Daubenton
75005 PARIS
10 December 2015
Double bill with La Corruzione (1963) directed by Mauro Bolognini
The screening will be introduced by Derek Woolfenden (experimental filmmaker)
Bio Rio Cinema
Stockholm, SWEDEN
June 16 2011
This single-screen cinema was built in the 1940s and is Stockholm’s go-to theatre for all edgy new films.
Cinema L’Apollo
Chateauroux, France
April 7 2011
The audience consisted of retired Vietnam Veterans who related to the film because of their personal experiences with post traumatic stress disorder.
Instituto Moreira Salles
São Paulo and Rio, BRAZIL
May 2018
The Marina Experiment screened at the Instituto Moreira Salles in São Paulo and Rio, BRAZIL as part of a short film program curated by the wonderful filmmaker Sergio Oksman.
Instituto Moreira Salles cultural centers are renowned for their exhibitions, highlighting visual arts by artists from Brazil and abroad. Gathering, organizing, and disseminating knowledge since its foundation, the IMS now also hopes that its collections may be used to produce knowledge. To this end, it has sought to establish partnerships and exchange programs with universities in Brazil and abroad, as well as other museums. Research is the target from here on out.
ERARTA MUSEUM and Galleries of Contemporary Art
St. Petersburg, RUSSIA
March 2015
The Marina Experiment screened at the Erarta Museum and Galleries of Contemporary Art in St. Petersburg, RUSSIA, as part of a short film program curated by filmmaker Sergio Oksman. Erarta is the largest private museum of contemporary art in Russia.
The NOMAD Project
October 23, 2010
Paris, FRANCE
The NOMAD Project films screened at the Access & PARADOX Open Art Fair.
Screening location:
L’Espace des Blancs Manteaux
48, rue Vieille du Temple
PARIS
Access & PARADOX is a collaborative project whose aim is to transcend the art fair, turning it into an exchange space for galleries and institutions to offer outstanding and artistically audacious projects during this contemporary art week.
SOUVENIRS FROM EARTHOctober 23, 2010
Paris, FRANCE
The cable TV station Souvenirs From Earth, currently available in France and Germany, broadcast The Marina Experiment at the same time it screened live in Paris. Souvenirs from Earth is the first TV station broadcasting a 24/7 program of Film and Video art, transforming flat screens into art terminals, giving access to the avant-garde of visual cultures.
DEATH BE KIND
June 29 2010 to July 30 2011
Melbourne, AUSTRALIA
a twelve month curatorial project called “The Memorial” reproduced text and images from the film in a magazine devoted to objects inherited from the dead.
TABAKALERA Int’l Contemporary Culture Centre
Feb 23 to 27, 2010
San Sebastian, SPAIN
CATM Chelsea Art Gallery
Sept 30, 2009
New York, NEW YORK
(NY DAILY NEWS – EDITOR’S PICK)
THE SORBONNE
PARIS
Film Analysis, “Études cinématographiques et audiovisuelles.”
Université Paris 8
PARIS
Women’s Film and Feminist Cinema
WIMBLEDON COLLEGE OF ART
LONDON
Document 7 Human Rights Film Festival Retrospective
THAMMASAT UNIVERSITY
BANGKOK
Thailand’s leading film critic and writer, Sonthaya Subyen, screened the film as part of the Best of the 2009 Sydney Underground Film Festival.
LYCÉE ROTROU
Dreux, FRANCE
Screening and discussion with high school film students.
BRYN MAWR
Pennsylvania
Screening and lecture for a course entitled “Identification in the Cinema” about the ways that the self is defined in and through images.
NYU
NEW YORK
Screening and discussion at The Center for Neural Science for a course called “Emotion, Memory, and the Brain.” The students research is aimed at understanding the biological mechanisms of emotional memory and how the brain learns and stores information about danger.
© 2010 Leila Morrissey
leilamorrissey.com